From Detroit to Budapest, each capital has its own signature techno style, but no country embraces the genre like Germany. It's a relationship rooted in history, particularly the fall of the Berlin Wall in 1989, when West Germans were encouraged to organize the party after years of state repression. Borrowing notes from Detroit's current techno boom, the Germans wrote the rules for hosting a rave: an empty warehouse, an energetic audience and, of course, crowd-pleasing DJs.
A genre that usually falls under the umbrella of electronic music, the definition of techno (and what rage is) has become somewhat cloudy over the years. Time Warp, a traveling music festival, wants to set the record straight by inviting international audiences to experience "authentic" German techno-rave live. In 1994, Time Warp traveled to the "Walzmühle" in Mannheim, Germany, one of the largest mills in Europe. For the past three decades, Time Warp has taken place in major cities around the world, with famous artists such as Richie Hawtin, Laurent Garnier and Sven Vath along the way.
Over the weekend, Time Warp heads to New York for two nights of relentless madness in Brooklyn, in collaboration with TechSupport. In a new interview, Time Warp's American founder Robin Ebinger and co-founder Rob Thoma talk about what he calls a true "German rave," hosting the event in New York and the evolution of technology over the years.